The Theory of F-L-U-Tion for Flute with Piano + Electronics

THE THEORY of F-L-U-Tion
for Flute with Piano & Electronics
composed by Daniel Kelley 40064

Winner of the 2025 NFA Newly Published Music Competition! Commissioned by the California Conservatory Series, The Theory of F-L-U-Tion is an exuberant eight-minute work for Flute, Piano (live or recorded), & Electronics. Premiered in September 2024 by Professor Jenni Olson at California State University Long Beach, this piece introduces the flutist to performance with a click track, along with the option of chordal (and totally fun!) improvisation. Designed for intermediate-to-advanced flutists, it features a theme that constantly evolves while showcasing technique, style, and versatility. 

The Theory of F-L-U-Tion can be performed one of two ways: with live piano and a split track (click on one side, electronics on the other) or with solely a split track (click on one side, recorded piano & electronics on the other)

Co-Commissioners: Diane Alancraig, Sara Andon, Cathie Apple, Marley Eder, Catherine Gregory, Dan Higgins, Sarah Jackson, Catherine Karoly, Alicia Kim, Rachel Mellis, Diana Morgan, Rik Noyce, Angelica Ruiz-Nuby, Ben Smolen, Brittany Trotter, Gaby Vargas, Gary Woodward

Digital Download Includes: Sheet Music & Recorded Piano+Electronics Track & Electronics Track. Files can be downloaded immediately after checkout!

Published by Abstractionality in partnership with Last Resort Music

Also for Flute & Electronics: Abstr/Action!